3.3.20

Liz Becker knows her way around a watercolor. Her soft lines and bold colors make her works truly unique. We sat down to learn a bit more about her influences and, of course, which artists are at her dinner party table.

Iris No. 76 | Watercolor on Paper | $245
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1.31.20

The process of creating and the discussion about the nature of art inspire Ashley’s teaching as well as her work. Her work is about the process, the experience of creating something new. We sat down with her to talk about her process and the inspirations for her work, as well as some common misconceptions about contemporary art.

Fill in the blanks:

My favorite medium is: If I have to choose just one it would be Paint… but I also adore ceramics. I’ve always been drawn to what can happen when layered, thinned, mixed with other mediums, etc. and love LOVE the textures and finishes. Ceramics because it really brings you into your body and helps to disconnect from the outside world & noise.   

I started creating in (year): Since I could hold a crayon – though my first ‘official’ painting lesson was in 1995.

I am a full time/part-time artist (choose one): Part-time, with the goal of being a full-time creative.

A common misconception about contemporary art is: The fear of looking at or engaging with because of the fear of ”I don’t get it.” The wonderful thing about (any) art is you can bring your own experience to it. You don’t have to like or “get” everything, but if you spend the time to engage with a piece and ask yourself questions, it’s a wonderfully rich area of reflection and discussion.

Thunder Clap (detail) | $225
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A common misconception about contemporary artists is: Their work is too expensive or that it should be easily discounted. One of my favorite artists once said to someone as they said they loved a particular piece in his body of work, “it took me 40 years.” Each work of art is the culmination of experience, perfectly – or not so perfectly- captured. If there is something that resonates with you, there is a reason for that and that should be respected and paid for fairly. In anyone’s career there are always growing pains, mistakes, set backs, and successes… artists often only get paid for the latter.

The most surprising thing I’ve discovered about collectors is: I’ve been pleasantly surprised to find collectors always want to know more about the artwork, artist, process, etc. A work of art is an object that represents more than just paint on paper, it holds many stories – a collector is someone that wants to engage with and share those stories.

My most unorthodox source of inspiration is: Boredom (without a phone in hand) – which might not seem unorthodox but I believe in the era of overstimulation and smartphones boredom is hard to come by and wholly undervalued.

The one piece of advice I would give people who want to start collecting art is:  Buy your first piece! I know the first one can be scary but once you hold that first piece in your hands and get it on your walls, you’ll open up the opportunity to create your own collection that highlights your own voice and even milestones in life. If you’re nervous, find an artist whose work you love and talk to them, if you love and believe in their purpose, you have absolutely nothing to lose!

“Green Greens” (Detail) | $150
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A few more questions…

Living or dead…

What artist would you follow on Instagram? Kate Frizalis

What artist would you most like to have drinks with? Natalie Baxter

Which artists are at your dinner party table? Ruth Root, Tanya Aguiniga, Vija Celmins, Anna Hymas, Rochelle Botello, The Love Armata, Jenny Holtzer, Katie Cowan, Artemisia Gentileschi, Dana Schutz,  Francesca Woodman, Pandemonia, Marilyn Minter, Lee Bontecou, Helen Frankenthaler, Adrian Piper, Mary Weatherford, Molly Larkey, The Heidies.

Marilyn Minter (Photo courtesy of the New York Times)

Shop all of Ashley’s works here!